None [force assignment] Movements/Sections Mov'ts/Sec's: 57 First Pub lication. 1510 -1586) Giovanni Gabrieli (c. 1553 - 1612). The church of San Geremia, where Andrea Gabrieli probably played at some stage early in his career, is situated at the junction of the Grand Canal with the Cannaregio Canal, which is one of the main waterways of the city but which is often overlooked by tourists. Giovanni Gabrieli, who died in 1612, was without doubt, the greatest composer of the Italian High Renaissance. Andrea spent a majority of his music life (from 1566 until his death) as organist at St. Mark’s in Venice, one of the most prestigious musical posts in northern Italy. His Sonata pian’ e forte (1597), the first… Though very little information about his early life survives, it seems evident that Andrea Gabrieli quickly entered the musical profession. Franco-Flemish composers were skilled in canonic writing, but few were better than Jean Mouton (c. 1459-1522), who was known for his ability to write music of mathematical complexity, especially canons. 1 (from "Il terzo libro de ricercari"), Ricercar del nono tono, for organ No. He may have been a pupil of Adrian Willaert at St. Mark's in Venice at an early age. Details on Gabrieli's early life are sketchy. Ego dixi Domine a 7; 33.) Keyboard Works. There are low and high choirs and the difference between their pitches is marked by the use of instrumental accompaniment. The following 165 pages are in this category, out of 165 total. Andrea Gabrieli is the uncle of composer Giovanni Gabrieli.. Andrea Gabrieli (c.1532–1585), composer and organist at San Marco di Venezia; Giovanni Gabrieli (c.1554–1612), composer and organist at San Marco di Venezia; Chris Gabrieli (born 1960), American politician; John Gabrieli, American neuroscientist; Ugo Gabrieli (born 1989), Italian footballer; Other uses. Andrea Gabrieli (1532/1533 – August 30, 1585) was an Italian composer and organist of the late Renaissance. bouce rit‟, followed by some Andrea Gabrieli: a 4-part „Ricercar‟ or „Canzona alla francese‟, and a 6-part „Motet‟ which also has a madrigal text! Composer Gabrieli, Andrea: I-Catalogue Number I-Cat. Though very little information about his early life survives, it seems evident that Andrea Gabrieli … 4 (from "Canzoni...libro quinto"), Ricercar del duodecimo tono, for organ (from "Ricercari...libro secondo"), Ricercar del nono tono, for organ (from "Ricercari...libro secondo"), Ricercar del nono tono, for organ No. 1, Ricercar del secondo tono, for 4 parts No. Gabrieli was fortunate to have an uncle, Andrea Gabrieli, who was an outstanding musician. A lasting friendship with Lassus began during a trip to Germany in the early 1560s. Andrea Gabrieli, also called Andrea di Cannaregio, Cannareggio, or Canareggio, (born 1532/33, Venice—died Aug. 30, 1585, Venice), Italian Renaissance composer and organist, known for his madrigals and his large-scale choral and instrumental music for public ceremonies. …symphoniae (1597 and 1615) of Giovanni Gabrieli, for example, an ensemble of three cornetts, two trombones, and tenor violin accompanies solo voices, alternates with and accompanies one or two choirs, or performs alone. Number of voices: 4vv Voicing: SATB Genre: Sacred, Motet Third Antiphon at Lauds, Christmas Day. No. We celebrate the holidays this year with music by this Venetian master, his uncle Andrea, and their contemporaries. He was the first composer to specify particular instruments in his scoring, including brass choirs—an orchestration also prominent in Heinrich Schütz’s “Uppsala” Magnificat, which City Choir will perform on May 19. There are no results available based on the filters you have selected. Andrea Gabrieli, organist at St. Mark’s Basilica, visited Lassus in Munich in 1562 and many of Lassus’s works were published in Venice. Almost nothing is known of his life before 1557, when he first tried (unsuccessfully) to become organist at St. Mark's, Venice. Along with composing music for some of the greatest Venetian ceremonial occasions, Gabrieli's music often was dedicated to highly important figures. Andrea Gabrieli (Composer), Giovanni Gabrieli (Composer), Gabrieli Consort & Players (Artist), & Format: Audio CD. 1 (from "Il terzo libro de ricercari"), Ricercar del quinto tono, for organ No. Gabrieli's first motets were published alongside his uncle Andrea's compositions in his 1587 volume of Concerti. As the organist and principal composer at St. Mark’s in the late 1580s and 1590s, Gabrieli was at the forefront of musical development. 'Concerti di Andrea, et di Giovanni Gabrieli, organisti della Serenissima Signori di Venetia': A collection of 77 works, the majority of which are by the uncle, Andrea Gabrieli, but also containing some of the younger Gabrieli's polychoral motets. He was born ca. The polychoral style of composition that Andrea created came mainly from working at St. Mark’s. A caso un giorno mi guidò la sorte (Andrea Gabrieli), A Le guancie di rose, Dialogo à 8 (Andrea Gabrieli), Angelus ad pastores ait a 4 (Andrea Gabrieli), Angelus ad pastores ait a 7 (Andrea Gabrieli), Angelus Domini descendit a 7 (Andrea Gabrieli), Ave Sanctissima Maria a 5 (Andrea Gabrieli), Beatus vir qui inventus est (Andrea Gabrieli), Beatus vir qui non abiit (Andrea Gabrieli), Beatus vir, qui suffert (Andrea Gabrieli), Benedictus Dominus Deus Sabaoth a 8 (Andrea Gabrieli), Bonum est confiteri Domino (Andrea Gabrieli), Cando pinso al turmendo (Andrea Gabrieli), Cantate Domino canticum novum a 5 (Andrea Gabrieli), Caro mea vere est cibus (Andrea Gabrieli), Chiaro sol di virtute / Al chiaro suon d'i dolci accenti (Andrea Gabrieli), Cinto m'havea tra belle e nude braccia (Andrea Gabrieli), Concerti di Andrea et di Giovanni Gabrieli (Andrea and Giovanni Gabrieli), Congratulamini mihi omnes a 8 (Andrea Gabrieli), Del gran Tuonante la sorella e moglie (Andrea Gabrieli), Deus misereatur nostri a 12 (Andrea Gabrieli), Deus qui beatum Marcum a 7 (Andrea Gabrieli), Deus qui beatum Marcum a 8 (Andrea Gabrieli), Deus, Deus meus respice a 10 (Andrea Gabrieli), Il dolce sonno mi promise pace (Andrea Gabrieli), Domine Dominus noster a 5 (Andrea Gabrieli), Domine, ne in furore tuo arguas me (Andrea Gabrieli), Donna per acquetar vostro desire (Andrea Gabrieli), Dunque baciar sì belle e dolce labbia (Andrea Gabrieli), Dunque fia ver, dicea, che mi convegna (Andrea Gabrieli), Dunque sia vero - Dunque il consenti Amor (Andrea Gabrieli), Ecco l'aurora con l'aurata fronte (Andrea Gabrieli), Ecco Vinegia bella (a 12 voci) (Andrea Gabrieli), Egredimini et videte a 8 (Andrea Gabrieli), Ella non sa, se non invan dolersi (Andrea Gabrieli), Emendemus in melius a 6 (Andrea Gabrieli), Exaudi, Deus, orationem meam (Andrea Gabrieli), Expurgate vetus fermentum a 8 (Andrea Gabrieli), Fuggi, speme mia, fuggi (Andrea Gabrieli), Gira lunga stagion, lucente e viva (Andrea Gabrieli), Hodie Christus natus est a 7 (Andrea Gabrieli), In nobil sangue / Amor s’è in lei (Andrea Gabrieli), In tribulatione Dominum invocavi (Andrea Gabrieli), Io mi sento morire (Dialogo à 7) (Andrea Gabrieli), Isti sunt triumphatores a 6 (Andrea Gabrieli), La virtù, la bontà, l’ardente zelo (Andrea Gabrieli), Lasso, amor mi trasporta (Andrea Gabrieli), Laudate Dominum omnes gentes a 5 (Andrea Gabrieli), Laura soave, vita di mia vita (Andrea Gabrieli), Levavi oculos meos in montes (Andrea Gabrieli), Maria stabat ad monumentum a 6 (Andrea Gabrieli), Mentre la greggia errando (Andrea Gabrieli), Nativitas tua Dei genitrix a 7 (Andrea Gabrieli), Nel bel giardin' entrate (Andrea Gabrieli), Neve e Rose ha nel volto (Andrea Gabrieli), O passi sparsi, o pensier vaghi e pronti (Andrea Gabrieli), O soave al mio cor dolce catena (Andrea Gabrieli), Or ch'a noi torna la stagion novella (Andrea Gabrieli), Or che nel suo bel seno (Andrea Gabrieli), Patefactae sunt ianuae coeli (Andrea Gabrieli), Quem vidistis pastores a 8 (Andrea Gabrieli), Rimanti amor in sempiterno oblio (Andrea Gabrieli), Sancta et immaculata a 4 (Andrea Gabrieli), Sancta et immaculata a 5 (Andrea Gabrieli), Sancta Maria succurre miseris a 6 (Andrea Gabrieli), Sassi, Palae, Sabbion, del Adrian lio (Andrea Gabrieli), Sic Deus dilexit mundum a 5 (Andrea Gabrieli), Te Deum Patrem ingenitum (Andrea Gabrieli), Vaghi augelletti, che per valli e monti (Andrea Gabrieli), Vago ucelletto che cantando vai (Andrea Gabrieli), Verba mea auribus percipe (Andrea Gabrieli), La verginella è simil'a la rosa (Andrea Gabrieli), https://www.cpdl.org/wiki/index.php?title=Category:Andrea_Gabrieli_compositions&oldid=253716. Andrea Gabrieli (?1532/1533 ? The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany. Andrea Gabrieli [1] (ändrĕ´ä gäbrēā´lē), c.1510–1586, Italian organist and composer; possibly a pupil of Adrian Willaert [2]. A le guancie di rose, madrigal for 8 voices, Amami, vita mia, ch'io t'amo anchora, madrigal for 5 voices, Anchor che co'l partire, transcription for keyboard of madrigal by Cipriano de Rore, Anchor che col partire, madrigal for 3 voices, Angel, del terzo ciel sceso fra noi, madrigal for 5 voices, Angelus ad pastores ait, motet for 4 voices, Angelus ad pastores ait, motet for 7 voices, Angelus Domini descendit, motet for 7 voices, Asia felice hor ben posso chiamarmi, madrigal for 4 voices, Beati quorum remissae sunt (Psalm 31[32]), for 6 voices, Beatus vir qui non abiit, motet for 6 voices, La bella pargoletta, ch'ancor non sent'amor, madrigal for 6 voices, Benedictus Dominus Deus Sabaoth, motet for 8 voices, Bonum est, et suave amare Dominum, motet for 6 voices (contrafactum of "Sonno diletto e caro"), Cantate Domino canticum novum, for organ (transcription of motet), Canto, canto, festa, festa, madrigal for 4 voices, Canzon deta "Suzanne un jour," for organ (after Orlande de Lassus' chanson), Canzon detta "Qui la dira," for keyboard (after Janequin's chanson), Canzon francese deta "Je prens en gre," for keyboard, Canzon francese deta "Orsus au coup" a quatro voci, for organ (after Crequillon's chanson), Canzon francese detta "Frais et Galliard," for organ (after Crequillon's chanson), Canzon francese detta "Je ne diray moy bergière," for keyboard, Canzon francese detta "Le bergier" a quatro voci, for keyboard, Canzon francese detta "Martin menoit," for organ (after Janequin's chanson), Canzon francese detta "Petit Jacquet" a quatro voci, for keyboard, Canzon francese detta "Pour ung plaisir," for organ, Canzon francese detta "Qui la dira" a cinque voci, for keyboard (after Janequin's chanson), Canzon francese detta "Ung gay bergier," for keyboard (after Crequillon's chanson), Canzon, se l'esser meco, madrigal for 4 voices, Caro dolce ben mio, perché fuggire, madrigal for 5 voices, Caro mea vere est cibus, motet for 4 voices, Chi 'nde darà la bose al solfizar, madrigal for 3 voices, Cinto m'havea tra belle e nude braccia, madrigal for 6 voices ("Giunto m'havea tra belle"), Clori à Damon dicea, Dolce ben mio, madrigal for 6 voices ("Gloria Damon dicea"), Come havrò pace in terra, madrigal for 5 voices, Come vuoi tu ch'io viva, madrigal for 6 voices, Como viver mi 'l posso, madrigal for 5 voices, De profundis clamavi (Psalm 129 [130]), for 6 voices, Del gran tuonante la sorella e moglie, madrigal for 10 voices, Deus, Deus meus, respice in me, motet for 10 voices, Domine ne in furore tuo (Psalm 37 [38]), for 6 voices, Domine ne in furore tuo (Psalm 6), for 6 voices, Domine, Deus meus, in te speravi, motet for 7 voices, Domine, exaudi orationem meam (Psalm 101 [102]), for 6 voices, Domine, exaudi orationem meam (Psalm 142 [143]), for 6 voices, Due rose fresche e colte in paradiso, madrigal for 5 voices, Dunque basciar sì bell'e dolce labbio, madrigal for 3 voices, Dunque il comun poter giungend'insieme, madrigal for 4 voices, Ego flos campi, motet for 6 voices (contrafactum of "Se vuoi ch'io muoia"), Fantasia allegra del duodecimo tono, for organ, Febo, Febo, noi cantiamo, madrigal for 4 voices, Felici d'Adria et dilettose rive, madrigal for 8 voices, Fuit homo missus a Deo, for keyboard (transcription of motet for 4 voices; spurious), Fuor, fuori a sì bel canto, madrigal for 4 voices, Giovane donna sott'un verde lauro, madrigal for 4 voices, Gratie che 'l mio signor largo destina, madrigal for 4 voices, Hodie Christus natus est, motet for 7 voices, Hodie completi sunt dies Pentecostes, motet for 4 voices, Hor ch'a noi torna la stagio novella, madrigal for 6 voices, Hor che nel suo bel seno, madrigal for 8 voices, I' vo piangendo i miei passati tempi, madrigal for 5 voices, Iesu dulcissime, motet for 5 voices (contrafactum of "Aminta mio gentil"), In nobil sangue, vita humile e queta, madrigal for 6 voices, In quest'amate sponde, madrigal for 4 voices, In tribulatione Dominum, motet for 6 voices (contrafactum of "Dolcissimo ben mio"), Io mi son giovinetta, for keyboard (transcription of madrigal by "Giachet," probably D. Ferrabosco), Isti sunt triumphatores, motet for 6 voices, Jubilate Deo, omnis terra, motet for 8 voices, Lasso, Amor mi trasporta ov'io non voglio, madrigal for 6 voices, Laudate Dominum in sanctis eius, motet for 10 voices, Laura, soave vita di mia vita, madrigal for 5 voices, Lucia sponsa Christi, motet for 6 voices (contrafactum of "La bella pargoletta"), Madrigale detto "Con lei foss'io" a quatro voci, for keyboard, Maria Magdalene, et altera Maria, motet for 6 voices (contrafactum of "La bella pargoletta"), Maria stabat ad monumentum, motet for 6 voices, Mentr'io vi miro, vorrei pur sapere, madrigal for 5 voices, Mentre la greggia errando, madrigal for 5 voices, Mirami, vita mia, miram'un poco, madrigal for 5 voices, Miserere mei Deus (Psalm 50 [51]), for 6 voices, Missa della Beata Vergine, mass for organ, O belli e vaghi pizzi, madrigal for 4 voices, O beltà rara, o santi modi adorni, madrigal for 5 voices, O Dea, che tra le selv' a chi ti chiama, madrigal for 8 voices, O gloriosa Domina (O gloriose Domine), motet for 6 voices, O quam metuendus est locus iste, motet for 4 voices, O soave al mio cor dolce catena, madrigal for 6 voices, Occhi sereni, angeliche parole, madrigal for 4 voices, Pass'e mezzo antico in cinque modi variati, for organ, Piangi pur, Musa, ogn'hor poi che 'l tuo canto, madrigal for 5 voices, Quand'havrà fine Amore, madrigal for 8 voices, Quanti sepolti giù nel foco eterno, madrigal for 5 voices, Quem vidistis, pastores, motet for 8 voices, Ricercar arioso for organ No. This category, out of 165 total pieces show much influence of his uncle 's style in andrea gabrieli compositions use dialogue... 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